Looking for Tips – How Do You Handle Lighting for Outdoor Railway Photos?

[tristanbailly83]

Hi everyone,

I’ve recently started getting more into photographing my garden railway, but I keep running into lighting issues. Sometimes the sun is too harsh and washes out the details, other times shadows ruin the composition. I’d love to know how you manage to get well-balanced, atmospheric shots.

Do you have a preferred time of day for taking photos? Do you ever use things like reflectors or filters? And when it comes to weather, do you wait for cloudy days or go for full sun?

If you have examples of successful shots or practical tips, I’d really appreciate it. For those just getting started like me, I found this article quite clear and beginner-friendly: www.masterclass.com/articles/outdoor-ph ... -beginners

Thanks in advance for sharing your advice and experience!

[ge_rik]

Just pot luck for me. I generally shoot HD video and extract stills from the shots. Very occasionally, I'll stage a scene and live with whatever ambient light is available.

Rik

[Melbournesparks]

I think it depends a bit on what you're trying to achieve. If you want something like a works photo that shows all the details then staging some diffuse lighting might be a good idea. But remember those works photos also involved a special high contrast paint scheme, and were taken on black and white film with a high dynamic range. You can get the same effect with a digital photo, it will just also involve some "darkroom" post processing.

For taking photos in the garden the challenges are similar to full size trains, remember in the real world you're almost always working with what you've got. If you've got mixed shadows getting sun on the front of the train at least is a good thing to aim for.



Here's a mixed shadow situation where the sun isn't on the front of the train. Compare with this



Or this



Here we also have a bit of sky in the background, which is fine since the front of the train is in full sun. You'd want to avoid this if it wasn't though, since the sky would be much brighter than anything else in the image.
There's a big advantage when you're also driving the train and can stop it in the ideal spot!


Having the sun behind you is usually the best, but backlit shots can make for interesting contrasts.



Here the front of the train is in shadow, but the brightly backlit steam stands out against the dark background.




If you don't have sun you can take advantage of framing to make interesting scenes, like here where the train is framed by the vegetation




Here the harsh summer sun is almost directly overhead. The image is exposed for the brightly lit parts, so anything not in direct sun doesn't have much visible detail and is going to be very dark. There's no way to avoid this in this kind of lighting situation, if you exposed for the shadows everything else would be very overexposed.




Having the train contrast with the background by being well lit is good, but the opposite can also be interesting. Something to keep in mind if you're fitting lights to your rollingstock is the relative brightness of all the lights. The interior lighting on a real train is much dimmer than the headlight, you don't want it to be too bright in photos.



My favourite time for photos is definitely sunny late afternoons when the sun is low in the sky. The low angle often brings out a lot of details like the panelling on the old swingdoor cars here. Also the overhead wire stands out against the background.





Remember the editing of photos after taking them is something that has been done as long as photography has been around, it's something fun to do if you're trying to convey a mood rather than show the scene directly. The top image is an unedited long exposure at night, but cameras work differently to your eye so the colours are a lot brighter. The bottom image is desaturated since your eyes will see colour less well at night so this is how you might remember this looking. Also you can see a bunch of loose wires inside the driver's cab there, something that isn't normally visible in daylight. Something to keep in mind when modeling!

[StuartJ]

Brilliant photos!

[Lonsdaler]

I think it depends a bit on what you're trying to achieve. If you want something like a works photo that shows all the details then staging some diffuse lighting might be a good idea. But remember those works photos also involved a special high contrast paint scheme, and were taken on black and white film with a high dynamic range. You can get the same effect with a digital photo, it will just also involve some "darkroom" post processing.

For taking photos in the garden the challenges are similar to full size trains, remember in the real world you're almost always working with what you've got. If you've got mixed shadows getting sun on the front of the train at least is a good thing to aim for.

Those are some stunning photos. You really should take part in the forum's quarterly photo competition (theme permitting).

[Old Man Aaron]

I'll admit it, my photography has become a hundred times easier since getting a smartphone, (nightmare rectangles as I call them) over the cheap DSLR I had.

But it really pays to figure out what you're doing, as Melbournesparks has.

[Peter Butler]

I'm showing the 'Content not available in your area' (IMGUR restrictions in UK according to philipy) although I see Lonsdaler in N Yorkshire can view them.

[philipy]

I'm showing the 'Content not available in your area' (IMGUR restrictions in UK according to philipy) although I see Lonsdaler in N Yorkshire can view them.

Lonsdaler's post was back in August, Peter.

[Peter Butler]

Oops.... sorry, hadn't noticed the date, just looked back after reading Aaron's post.