Big Jim:115513 wrote:Thanks for the kind words.
I should like to add that this is very much a cheap and cheerful way of doing it.
You can use proper toner transfer sheets. However they cost a lot more than inkjet paper. OHP transparency film is supposed to work as well.
If you could still find it, Letraset rub down transfers would do as a mask.
If you were feeling really clever, just a sharpie pen will work.
But what ever you do the mask has to be dense.
If you read about brass etching the issue of undercut is often mentioned. I don't know if this will be a problem with this method and really for my purposes it doesn't matter anyway.
The biggest problem I had was getting the image right. I found that if I just saved it as a MS Publisher file the quality was not as good as a PDF file.
I think the plates should have been spaced a little further apart as cutting them out will be a nuisance.
The brass needs to be at least .030 thick, trials with thinner stuff did not work so well.
First up, i would like to thank Jim for posting this tutorial. I would never have even considered etching my own plates if i hadn't read this.
I've just successfully etched my first set of plates and would like to add a few notes to Jim's guide if i may.
I found to get the best transfer of toner to the brass, iron the paper until you can see the print showing through from the other side. This gained me a 100% transfer of toner to the brass.
I also used Ryman's own brand A4 150gsm Photo Gloss paper.
I found that i couldn't get 8oz of copper sulphate to fully disolve in a pint. I think about 6oz is the maximum.
I didn't cover the back of the etched plate and found that all the uncovered area (including the back) had been etched.
I used an identical bit of brass plate as the cathode and made a simple wooden jig to hold the 2 plates parallel to each other in the solution 2" apart. This appeared to work fine.
Anyway, here's a pic of my first effort.